I love the way it can handle so much sound and have used it since it came out.Founded in 1992, they are one of the earliest developers of widely-used audio plugins and have built up a vast collection of software effects, processors and instruments to choose from.
These 14 (I couldnt keep it down to 10 in the end) are plugins that Ive naturally found myself coming back to time and time again, and the list includes some of the most distinctive classic hardware emulations and cutting edge audio processors you can find anywhere. GTPS is based on a firm policy of only recommending software and equipment we actually use ourselves every day, so you can be sure that when we talk about particular companies and products its because we genuinely love them). The L2 iteration offers an even more streamlined control set and look-ahead brickwall limiting, making it the choice for squeezing every ounce of potential loudness out of your tracks. Nls Plugin Series With AI often use it in series with a whole stack of other favourite plugins, and whether youre introducing some subtle rhythmic movement into a film sound design element or going all out with waves of wooshing phasing on a riser for a club track, MetaFlanger always does its thing with a touch of class. Ive highlighted H-Delay as the epitome of this combination of simple, intuitive controls which enable you to craft so many different quality sounds and effects very quickly excellent for keeping the inspiration flowing without getting bogged down under the programming process. Quite simply, API are responsible for several of the most highly regarded mixing console modules and EQ strips since their inception in 1968, and this software version comes about as close as any classic emulation to capturing the spirit and the sound of the original. Used everywhere from film sound design and post-production to chart hits, it should obviously be used sparingly and with caution and ideally only in a decent listening environment to really gauge the changes, as it would be easy to overdo the processing. MaxxBass is undeniably powerful though for helping to getting any mix, no matter how bass-heavy, to translate on any final playback system, from laptops to headphones and hand-held devices. It can take a bit of getting used to in terms of how subtle you need to be with the initial setup, but once you find a sweet spot (or just start with one of the presets) and mix whole tracks through it, you begin to get a feel for how it very gently helps bind things together always a must for imbuing DAW mixes with a little analogue magic dust. These plugins have been around for a long time, but theyre just so solid and workhorse-y that theres no desire to ever remove them from my plugin folder, no matter what else comes along. Weve discussed the Renaissance Compressor previously, but the EQ is also a highlight for its similarly straightforward layout, intuitive real-time draggable graphing and the ease with which you can find the sound you want. Jamess Aphex Twin moniker (apparently its not really true), the original Aural Exciter was a fairly rare device, and so exclusive that it was credited as a session player on some records What it does is process the high-frequencies of the signal, introducing an extra dimension of brightness and presence, and all without altering the actual respective frequency levels. ![]() ![]() However, even if youve no intention of recording classic rock guitar tracks, the various Flux, Wow Flutter and Noise controls, plus the SlapFeedback delay section, can be fun to play with in conjunction with electronic elements for some cool effects and artifacts for resampling, spot FX etc. The types and combinations of weird modulation you can quickly conjure, and how the controls allow you to tailor the sound to fit the track, make it very useful in any processing chain that requires movement, from subtle shimmer to, Its all around us. Its something like an automatic level fader, but if that sounds like a simple compressor, thats not the whole story: the plugin doesnt colour the signal the way a compressor might, as its not emulating any of the valve, FET or VCA technology that compressors utilize. It really is just an automated fader, but with the benefit that you can go back over its work and edit the movements: so the best of all worlds, taking the time and at least some of the fiddliness out of manually riding the entire vocal track, but with the option to punch in and take over yourself at any point. Its so simple in principle that its funny to think no-ones done it before now but its a good example of Waves ability to offer genuine innovation and usefulness without recourse to gimmicky or unnecessary extra features. The H-Delay is also absolutely a killer Extreamly hard to make a top 14 list, but to mention some that I tend to use a lot, wich are not in the list, is the VEQ3 VEQ4, and the C4 i find is quite easy to use:) And for some tracks, I tend to find the Center very useful. I demod several things at once to compare, and REDD was incredible. So when you boost a certain frequency with either the REDD or the Puigchild, youre actually adding some character and some carefully reconstructed saturation to that frequency. Both the plugins you mentioned are great for adding character (perhaps, for want of a better word, you could also say vintage magic haha).
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